Showing posts with label office. Show all posts
Showing posts with label office. Show all posts

Monday, June 20, 2011

Les bureaux d’ AOL par Studio O+A



Voici quelques photos des nouveaux bureaux d’ AOL à Palo Alto en Californie aux Etats-Unis. Un intérieur repensé par Studio O+A, l’agence qui avait déjà conçu les bureaux de Facebook! Des habitués de l’architecture pour start-upers! ;)
Un espace organisé en open-space, typique de la start-up californienne ! ;)  Des cabines cylindriques créent des espaces pour le travail collaboratif.
Un style légèrement industriel avec ses poutres apparentes. Résultat : des bureaux qui rendent jaloux ! Entre espaces de détente (billard, jeux vidéo…) et de travail « relax », on sent ici une atmosphère unique, propre aux entreprises internet qui se développent sous le soleil de la Silicon Valley !
Le site de Studio O+A.

Friday, May 27, 2011

COORDINATION ASIA - Shanghai Office


OFFICES

May 27 2011

Berlin and Shanghai-based COORDINATION ASIA has just migrated its Shanghai office from an old textile mill to a glass-company headquarters. The former office was located on the banks of Suzhou Creek at No. 50 Monganshan Road in an old textile mill now known as M50 and housing a mix of creative businesses, cafes and restaurants.


COORDINATION ASIA’s new digs are located in the former headquarters of the Shanghai Glass Company at Huangpi Road 688, a building waiting for complete renovation in 2012.


COORDINATION’s CEO Tilman Thürmer, now more or less permanently located in Shanghai, says he misses the artistic community of M50, but loves the downtown location and the cool vibe of the new space.


The team at COORDINATION created a sleek 300 square-meter home for itself among the crazy “old-style European mansion” decor that was the result of a renovation in the 90s. They kept the marble, hardwood, built-in bookshelves, hidden storage, weird ceiling molding and the odd mix of ceiling light fixtures but covered most of it with black paint, a colour prominent in many COORDINATION projects.


The result is an elegant and artsy creative space that could be mistaken for a completely customized environment. - Tuija Seipell. http://www.thecoolhunter.net/

Tuesday, February 22, 2011

A Gentlemen’s Club Office




Pool tables, free beer and “casual everyday” dress code may have become the desired and appropriate work environment in many companies, but for some, a gentlemen’s club atmosphere works better.

London-based architecture and design firm SHH created this elegant office in London for an international investment company. The offices are located in a five-storey Georgian townhouse connected to a two-storey mews by a partially covered walkway. Several marble-inlaid fireplaces, marble mosaic floor tiles and beautiful ceiling cornices were kept from the previous occupants but the rest underwent a thorough modernization.


The resulting milieu is imposing and somewhat intimidating. Its dark, black-and-white photography vibe harkens back to some secret storied past, yet the contemporary treatments, especially the dramatic lighting pieces return the thoughts back to today.


Some of the light fixtures are by Modular and Foscarini and the statement chandeliers were custom-designed by Michael Anastassiades.

Custom-work, limited-edition pieces and classic furnishings such as Eames chairs accent each space, giving stunning jolts among the calm opulence.


Showing up in dated jeans or worn-out sneakers (unless you are Steve Jobs or Richard Branson) in this space would not seem appropriate, and should cue sports be allowed, they would most likely be the English Billiards variety.

Founded in 1992 by David Spence, Graham Harris and Neil Hogan (the S, H and H), architecture and design firm SHH is now a practice of more than 50 people working globally on architecture, design and branding projects.


Many of SHH’s retail, hospitality, nightclub and office clients are in the luxury category, but their client list includes also names such as Sheraton, Adidas, Pizza Hut, Aphostrophe and McDonald’s. - Tuija Seipell

Friday, January 28, 2011

A Gentlemen’s Club Office




Pool tables, free beer and “casual everyday” dress code may have become the desired and appropriate work environment in many companies, but for some, a gentlemen’s club atmosphere works better.

London-based architecture and design firm SHH created this elegant office in London for an international investment company. The offices are located in a five-storey Georgian townhouse connected to a two-storey mews by a partially covered walkway. Several marble-inlaid fireplaces, marble mosaic floor tiles and beautiful ceiling cornices were kept from the previous occupants but the rest underwent a thorough modernization.


The resulting milieu is imposing and somewhat intimidating. Its dark, black-and-white photography vibe harkens back to some secret storied past, yet the contemporary treatments, especially the dramatic lighting pieces return the thoughts back to today.


Some of the light fixtures are by Modular and Foscarini and the statement chandeliers were custom-designed by Michael Anastassiades.

Custom-work, limited-edition pieces and classic furnishings such as Eames chairs accent each space, giving stunning jolts among the calm opulence.


Showing up in dated jeans or worn-out sneakers (unless you are Steve Jobs or Richard Branson) in this space would not seem appropriate, and should cue sports be allowed, they would most likely be the English Billiards variety.


Founded in 1992 by David Spence, Graham Harris and Neil Hogan (the S, H and H) of architecture and design firm SHH is now a practice of more than 50 people working globally on architecture, design and branding projects.


Many of SHH’s retail, hospitality, nightclub and office clients are in the luxury category, but their client list includes also names such as Sheraton, Adidas, Pizza Hut, Aphostrophe and McDonald’s. - Tuija Seipell
http://www.thecoolhunter.co.uk

Monday, February 15, 2010

Oficina Caja de Arquitectos by Carlos Pereda Iglesias and Óscar Pérez Silanes


Spanish architects Carlos Pereda Iglesias and Óscar Pérez Silanes have completed the offices of a bank that was founded by architects for architects in Pamplona, Spain.
Called Oficina Caja de Arquitectos, the project includes meeting rooms and offices arranged along one side of the interior, with further offices above them on a mezzanine.
The remaining space forms a double-height stone-clad hall, allowing light to penetrate the offices through glass panels.
More about Carlos Pereda Iglesias and Óscar Pérez Silanes on Dezeen:
The information below is from the architects:

The order was an improvement of the Architects Bank, sited in Iturralde y Suit Street, at Pamplona city (Spain). The program consisted mainly of an operation centre definition to place the management, offices, a meeting room, a rest area, toilets and a utility room.
In the other hand, the owner within its expansion policy, requested as a first aim to reach a quality image, essential point to achieve in a work with the required architectural energy which nowadays is not very common.
At the same time, in contrast with other companies, brand guidelines were not imposed as the project progressed. A complete trust and liberty were allowed during the development of the work carried out by the architect’s team.
The project also intended to fulfil besides its functional need a certain representation, reflected in an exercise of material sobriety which caused a unitary image, clear, attractive and recognizable.
At the same time an architectural work out of any trend was searched, an exquisite functional clarity was sought, the correct measurement of its material expressiveness, the pleasure of the formal simplicity and the search of the purity and the value of the space, the interest for the clarity of the ideas could be concepts used adjectivally which may help to understand this work.
The structure of the space, based in the programme, established a reasonable arrangement of the different departments, placing the offices, the meeting room, and the rest of the enclosed requirements in half of the space and in the cellblock where this is widened, clogging it entirely, emphasizing, in such way the scale, depth, and the desired proportion of the resulting free space, to be used as operations centre and hall.
On the other hand, the development of the project had to face two additional problems which finally influence on the offices arrangement. In one side, it was required to solve the arrangement of the facilities and their control panels on the facade, since it was the only solution due of the absence of any right in any of the block yards, avoiding either the standard solution of hiding them over an additional ceiling provided with a grid to the outside or the typical arrangement on the side.
And in the other side the achievement of a mezzanine to arrange properly the enclosed areas of the program, and its level gap with the street, running an inclined plane to solve this gap, and long enough to define a plane and not a ramp.
This plane with the tilted dihedral which contains the facilities equipment and control panels, define the access area and allows the light to pass through the whole width of the offices.
Moreover, all the elements defining the facade, where designed to be placed inner the block plane level, specifically where the coating material of the building ends, hiding at the same time the glass joint and seeking through constructive solutions which endow significance to the two facilities previously mentioned, giving a minimal and content presence of the offices within the environment they belongs, emphasizing the depth itself of the resulting volume.
The presence of Campaspero stone, in three of the volume planes, presented in a large square format, the texture and its geometric arrangement, show in a clear way the space volume in the austere, clear and emphatic manner desired.
The fourth plan is made of faceted glass, trying to maximize in the volume the light coming from two skylights placed in the director’s office and above the meeting room.
This solution avoids non desired ones as either transparency or on the contrary opacity and lack of daylight in the office.
Oficina Caja de Arquitectos
Iturralde y Suit 5 de Pamplona

Tuesday, January 12, 2010

Vodafone Head Office - Portugal


In 1984, Vodafone was a tiny UK startup. Today, it is one of the world’s leading mobile telecommunications companies with activities around the globe. Vodafone’s well publicized Portuguese headquarters is located on Avenida da Boavista in Porto (Oporto), the namesake of Port wine and Portugal’s second global city after Lisbon.



The delightfully modern building was designed by architects José António Barbosa and Pedro Guimarães of Barbosa Guimarães Arquitectos.



The architects’ wish to reflect Vodafone’s credo “Vodafone Life, Life in Motion” lead to the creation of a building that challenges the static and appears to be out of balance. Three of the angular building’s eight floors are underground. The cross-section reveals an uneven footprint almost as if the entire structure had fallen from sky at a great speed and crashed itself into the earth where it now sits, only partly exposed and slightly disheveled.



Indeed, the outer skin reminds us of a slightly unfinished origami project that will eventually become a scale model of a museum, the inside views bring to mind the many variations of angular, uneven and pleasantly unresolved spaces we’d seen atHotel Silken Puerta América in Madrid, especially the rooms designed by Ron Arad, Zaha Hadid and Plasma Studio. - Tuija Seipell

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