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“Someone has finally understood how the ultimate suite should look and feel,” was our chief globetrotter’s seldom-heard endorsement, when he encountered the recently opened four top suites and spa at Zürich’s Dolder Grand Hotel.
Designed in 1899 by Jacques Gros, the famed health spa/hotel has a perfect city location overlooking Lake Zürich and the Alps. The grand old hotel has been re-imagined as a modern luxury hotel by a star team of professionals - architecture by London’sFoster and Partners, interior design by United Designers, also of London, and the spa concept by spa-industry visionary, Arizona-based Sylvia Sepielli .
The star power continues in the four top-level suites inspired by four famed guests. The top-most, 4,300 square-foot (400 square-meter) Maestro Suite channels the style of Herbert von Karajan. The sweeping two-level suite with dashing classical undertones features red leather chairs, dark timbers, a circular tower dining room, pale-marble bathrooms with whirlpools and steam showers (and one with a sauna), massive windows and a lounge-style terrace.
The late Swiss surrealist painter and sculptor Alberto Giacometti inspired the Carezza Suite on the top floor of the spa wing. Sculpturally inspired furnishings and organic shapes create a peaceful lounge feel, enhanced by the neutral colors and the modern fireplace. The two-bedroom suite has a separate living room, TV lounge and marble bathrooms.
Also on the top floor of the spa wing, the Masina Suite gets its dramatic inspiration from Giulietta Masina, actress and wife of Federico Fellini. Night-blue and soft white evoke a feel of elegance and smoky glamour. A large Fendi sofa and a flat-screen TV are perfect for film noir nights. Floor-to-ceiling windows add further drama. Orange sofas, dark wood panels and pink furniture adorn Suite 101 created to reflect the legacy of the Rolling Stones. The decor has a retro vibe and an edge with distinctive, casual luxury. The suite includes a bedroom, living room, dining room, an ensuite kitchen and meeting room for 10. - Tuija Seipell
When the investment group All Capital wanted a power space for their high-powered meetings in Amsterdam, they engaged two local creative firms that had the right vision. Interior design firm i29 and architectural office Eckhardt en Leeuwensteincreated meeting and lounge areas that are prestigious and opulent without being pretentious or stuffy.
Themed around the playful concept of being under a spotlight, the spaces feature gigantic, round, black lamp shades spray-painted gold inside. These power lights appear to cast spot lights and create shadows everywhere in the space. The fake ovals of light and shadow on the floor, walls and furnishings are created by altering the colors and textures of the finish.
The golden ovals also define specific areas and soften the angles of the black-stained ash wood desks and cabinets. In addition, the gold and silver ovals scattered about can be interpreted as coins - highlighting the business of the client. All existing ornamentation and detail of the building was painted white.
The All Capital boardrooms and lounge opened last month in the historic, 17th-century building, De Gouden Bocht located by one of the most famous canals of Amsterdam, the Herengracht (=Gentlemen`s Canal).
i29 was established in 2001 by Jaspar Jensen and Jeroen Dellensen. Their style is characterized by a dramatic absence of extras or gimmicks, and by frequent use of clear blocks of color and lots of white. Their projects, mainly in Amsterdam, include schools, retail shops, restaurants, hotels and private residences.
Architect duo Rob Eckhardt and Goos Leeuwenstein has a long history of distinctive projects from public spaces to restaurants, entertainment venues and residences. They've created offices for Publicis, DDB and Eigen Fabrikaat, film studios for Jurriaan Eindhoven, and interiors for Restaurant Bordewijk. Eckhardt became known early in his career as a furniture designer with the disco stool Dolores as his first success in the early 1980s. He even operated a retail store that sold his furniture, including the 1983 Groeten uit Holland chair and the 1982 Karel Doorman chaise lounge. - Tuija Seipell
The boxy and containery appearance of residential buildings currently attracting accolades and attention is starting to get boring. However, simplicity, clarity and openness are qualities that continue to appeal.
While this is yet another house of stacked boxes, we cannot help but admire the vacation residence clinging dramatically to the sloping hill up in the trees of the Laurentian mountains of Quebec, Canada.
Locals, used to a more traditional ski chalet in this popular ski resort area, refer to the building as the cube, a name choice requiring no imagination. When the Montreal-based architectural firm Saucier + Perrotte won the Canadian Architect magazine’s Award of Excellence for this project in 2004, the magazine called the entry the Lac Superieur Residence in Lac Superieur, Mont-Tremblant.
Whatever the moniker, the house stuns with its elegant lines, stylish use of materials and lack of unnecessary distractions.
As it should be, the building’s real redeeming features reveal themselves inside. The views from the floor-to-ceiling windows provide all the visual stimulus you’ll need, and at the same time, demand a streamlined approach to everything else in the interior.
The boxy-cubey theme continues inside as do the color scheme and the lack of distracting materials. The residence is divided into three functional areas’ sleeping quarters on the top floor, middle and entry floor for living and the lowest level for play.
Although the building looks like a disorganized corner of a stylish container-port it exudes a solitary, silent grace that allows the distinctive, four seasons of the mountain to provide the main attraction.
The building meets the criteria for a log cabin as described in the area’s design guidelines for recreational development yet, fortunately, fails to resemble a Tyrolean mini castle. - Tuija Seipell
